Review: The Beauties

Title: The Beauties

Author: Lauren Chater

Publisher: 3rd April 2024 by Simon & Schuster Australia

Pages: 432 pages

Genre: Historical Fiction | Romance

Rating: 4 crowns

Synopsis:

An incomparable beauty. A promise to a king. A portrait that can never be completed.

When Emilia Lennox loses everything after her husband’s lands and title are confiscated, her beauty is her best bargaining chip with the only man who can restore their fortunes: King Charles II himself.

But the king’s favour comes at a price. He will pardon Emilia’s husband only if she agrees to be his mistress. Torn, Emilia comes up with a condition of her own: she will consent, but not until her portrait hangs among the famed Windsor Beauties, a series commissioned by the Duchess of York to showcase the fairest women in the royal retinue.

For Henry Greenhill, ambitious assistant to the court painter, the opportunity to paint Emilia’s portrait is a chance to step out of his master’s shadow. But his sitter proves as evasive as she is beautiful, and with barely a sketch to show for his efforts, Henry’s career is on the line.

As the king’s patience wears thin, it’s clear that more than creative talent will be needed to capture this incomparable beauty on canvas ...

From the bestselling author of The Lace Weaver comes this seductive story of rivalry, artistic passion and a woman bold enough to wield her beauty as a weapon.

My Thoughts

The Beauties is Lauren’s latest book and it is set in the 1600s during the exile and restoration of King Charles II. It tells a story of two women as they work to find themselves in a society where a woman’s beauty is her only leverage.

‘A painting, Sire?’ The King leans towards her, affecting a confidential air. ‘Actually, it’s a series of portraits of the most beautiful women at court. We are calling them the Windsor Beauties.’

The story takes place both in London and The Hague during the restoration period. It tells the story of Emilia whose husband’s family have had their titles and estate taken away for assisting a traitor. Then there is Anne Hyde, Duchess of York and one of Princess Mary’s ladies in waiting. Finally Henry Greenhill, an assistant painter working for Dutch court painter Peter Lely. The latter is commissioned to paint a series of portraits called ‘The Beauties’ which will be part of a collection for Windsor castle.

‘I thought about the women I knew - mothers, sisters, daughters, mistresses, wives. Did they know how strong they were, that those roles, assigned by society, failed to define them? Did they ever see themselves in all their wonderful complexity? Did anyone ever hold up a mirror to show them how well they were doing, how far they’d come, how much they’d grown?’

This is such an interesting and educational book as I have not read much from this time period. With real life characters and events it was interesting to learn about events that shaped rule in England during this Restoration period. Then there are other events such as female owned and run theatre and of course much about art history of the period. 1665 is also the year of the Great Plague of London and it was insightful to learn how this impacted the city. Yet at its heart this is a book about women of the period, their lack of power, individually and collectively, that led to exploitation. Beauty, in many a sense, was their only bargaining tool. 

‘Why shouldn’t women see themselves as they truly were - strong, powerful, intelligent? Instead of gazing outwards, I wanted them to look within, identifying the unique skills and accomplishments that would allow them to endure the trials every woman must face.’

The Beauties is all encompassing for history buffs from playhouse to painting, from palace to plague. If this is your interest, follow along with characters and the many trials and tribulations as they seek out security, creativity, passion and love. 

‘There is rebirth and connection, desire and self-knowledge. And there is the possibility of transformation even in the darkest times. All it requires is the courage to move beyond the frame.’

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This review is based on a complimentary copy from the publisher in exchange for an honest review. Opinions expressed in this review are completely my own. The quoted material may have changed in the final release.